Graduate
Audition Requirements
If you are unable to attend any of the listed
audition dates, you may be able to schedule a different
date by contacting the School
of Music Admissions Office directly (850/644-6102).
These other auditions usually occur on weekday afternoons.
Accompanists
are provided for on-campus Voice auditions only
and are neither provided nor necessary for any other
auditions.
Tapes:
If you do not give a live audition you must submit a
high quality audio cassette recording (NOT video), free
of distortion and added reverberation. Audio tapes should
reflect the requirements for your instrument/voice as
listed and should be clearly labeled with your name,
instrument/voice, and tape contents. Taped auditions
must be sent to the School of Music and not to the Office
of Admissions or to the individual faculty members.
TAPED AUDITIONS WILL NOT BE PROCESSED UNTIL YOUR APPLICATION
IS COMPLETE.
Conducting
Applicants Oonly (Band, Orchestral and Choral) need
to submit an audio tape of a group that you conduct
and a video tape (US-VHS format) of a twenty-minute
rehearsal. Choral applicants will be evaluated on the
basis of those tapes. Qualified instrumental conducting
applicants may be asked to give a live audition at a
later date. All conducting applicants need to audition
on their major instrument/voice as per the above requirements.
Supporting
Materials: Part of your application includes
the submission of a comprehensive repertoire
list, with performed works identified by an asterisk
(*), your resume, and copies of recital programs representative
of your solo or small ensemble work. The repertoire
list should also include works that you have rehearsed
and/or studied, even if you did not perform them in
public recitals, as the faculty needs to ascertain the
extent of your knowledge of and experience with the
repertoire for your instrument/voice. Your resume should
reflect your former teachers and dates of study with
each.
Brass:
Perform two works of contrasting styles and tempos.
Play selected scales/studies upon request. You may audition
with or without accompaniment; however, accompanists
will not be provided for live auditions.
Guitar:
1.) Movement or movements from a major work by J.S.
Bach: Cello Suites, Lute Suites, Violin sonatas and
Partitas. 2.) A piece or movement of a major guitar
composer – Ponce, Rodrigo, Tedesco, Villa-Lobos;
or modern works – Britten, Henz, etc. 3.) Extensive
background of study.
Jazz:
NOTE: Trumpet, Trombone, Saxophone, Acoustic Bass, Piano,
and Percussion only. Perform selections in three different
styles (ballad, swing, etc.). Acoustic Bass
applicants should plan to bring their own amplifier.
Percussionists should perform one selection each for
timpani, keyboard, and snare/multiple percussion/drumset.
Please clarify if you are giving a jazz audition on
your application form.
Percussion:
Demonstrate proficiency in: (1) snare drum/multiple
percussion or snare/drumset; (2) keyboard percussion;
(3) timpani. You are strongly encouraged to audition
on campus.
Piano:
Artist Certificate in Performance
Piano:
Performance majors: Perform from memory three
contrasting pieces selected from three of the following
categories: J. S. Bach; one movement of a sonata by
Haydn, Mozart, or Beethoven; a Romantic work; a twentieth-century
work. Non-performance majors: Perform
from memory two works; at least one must be a work by
J. S. Bach or a sonata movement by Haydn, Mozart, or
Beethoven.
Piano
Accompanying: In addition to the above
performance-level audition, Piano Accompanying Applicants
must also perform an accompanying audition. Please submit
a list of accompanying repertoire well in advance of
your audition. The Accompanying Faculty will select
works they would like to hear during your audition.
Applicants will also be asked to sightread.
Piano
Pedagogy: Piano Pedagogy Applicants audition
as a performance major (described above - 3 memorized
selections).
Piano:
Special Requirements
for MM Opera Coaching
Organ
/ Harpsichord: three works of contrasting
style and tempi. Non-performance majors will perform
two works. You are strongly encouraged to audition on
campus.
STRINGS
(Violin, Viola and Cello): Artist
Certificate in Performance
Strings:
Perform two works in contrasting styles and tempi. Play
selected scales/studies upon request. You may audition
with or without accompaniment; however, accompanists
will not be provided for live auditions.
Voice
- Non-Performance Degrees: Three memorized
songs including two art songs representing at least
one foreign language and one aria from either oratorio
or opera. At least one selection must be in English.
NOTE: A non-performance applicant may choose not to
audition, in which case she/he is required to take at
least two full semesters of principal-level graduate
voice study in lieu of an audition. This study should
begin in the first semester of residence.
Voice
Performance: MM Degree: Six (6) memorized
selections including one aria or art song from the Baroque
or Classic eras, one Romantic or twentieth-century aria
in the original language, plus four more art songs (or
three songs and one aria) representing different styles
and periods. In addition to English, at least two foreign
languages must be chosen from Italian, French, and German.
Latin may not substitute for Italian. Other languages
may be used in addition.
Voice
Performance: DM Degree, as above for MM
Voice Performance, except seven (7) selections are required
and one selection each is to be in English, French,
German and Italian. One (1) Romantic aria AND one (1)
twentieth-century aria or song are required.
Additional
Auditions for Voice Performance Degrees:
Singers applying to the MM program in Opera will audition
for the MM in Voice and must complete an additional
audition for the Opera program after a semester of study
at Florida State. There are also separate auditions,
once a student is enrolled, for the DM diagnostic examination,
the Artist Certificate, and MM Recital Coaching.
Woodwinds:
Perform two works of contrasting styles and tempos.
Play selected scales/studies upon request. You may audition
with or without accompaniment; however, accompanists
will not be provided for live auditions.
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